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Beauty Again
Beauty again. Second Revised Edition
Beauty again emerges as the main motive in art. In Nietzsche’s conception of art beauty is not just an aesthetic category but plays a much more fundamental role – it is the main and the only criterion of truth.While beauty has in the last several decades been denied, rejected, and forbidden in our cultural society, it nonetheless re-appears now as the constitutive value in contemporary art – although quietly and not as an end in itself (as is indeed inherent to beauty).Rediscovering beauty is crucial also (and perhaps primarily) in the context of the possible (political) manipulation that art can be easily subjected to – as Plato forewarned us right at the birth of the mimetic arts – which can result in spiritual, political, and ethical corruption that today as much as ever poisons the cultural and public life of our society – and where beauty alone stands as the measure distinguishing truth from falsity.
ABOUT THE AUTHOR
Karolina Dolanská
Karolina Dolanská, Ph.D, was awarded her doctorate in Art History from the Charles University in Prague in 2013 having been taught and supervised by Prof. PhDr. Petr Wittlich, CSc. She earned an M.A. in Art History at the Institute of Fine Arts at New York University in New York City, U.S. In addition, she received an M.A. in Sociology and an M.A. in Liberal Studies at the New School University in New York City. Karolina Dolanská taught art history at the Parsons School of Design and at the Fashion Institute of Technology in New York City. In the years 2005-2012 she held the position of the Curator of Modern and Contemporary Art at the National Gallery in Prague. Currently she teaches art history and serves as the Chair and the Guarantor of the Visual Art Studies Program at the Anglo-American University in Prague.
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